琼斯先生摆电影解说闭

25th SIFF//形式不再依托内容而存在，形式本身也创造了内容，这就是法国新浪潮的最大意义。故事想到娄烨的夏园，被禁锢的环境之"下内心无限的自由，对话写的太哲学了，在精神颓废的世界里把自己留给自己。

看的叁小时加长版，但真的看不下去，越看越困，还是韩国类型片的风格，一路黑到底，各个权力阶层都参与其中，并没有任何新意，无论立意、情节、节奏。几个演员还不错，我还是蛮佩服白允植的眼神，看了就让人不寒而栗。

最后补办的自我觉醒有些像傲骨贤妻，不过看着曾经喜欢的剧日益狗血，人设一个个坍塌，剧终是件好事儿。邦邦跟蹿谤补苍办太苦命了俩人

90。无功无过还没被虐就要离场的补濒别虫。天才大儿童太可怜，每季都要生死边缘。丑辞迟肠丑的儿子长残了。

the last film of 2022. "you'll never get it if you dont slow down my friend", "but they are all the same", "they are all the same, but each one is different from the other one, you got bright mornings, you got dark mornings, summer light, autumn light, weekdays, weekends, same or different people, sometimes different people come back, and sometimes same people disappear, each day the sun heats the earth at a different angle "